Looking Back by Doc Williams

Looking Back — by Doc Williams with Barbara D. Smik – Creative Impressions/publisher 0-974888028. Paperback, 176 pages, b&w photos, $20.00. (Creative Impressions; PO Box 902; Wheeling, WV 26003, http://www.docwilliams.com)

Review by Art Menius

Original publication in Bluegrass Unlimited

Doc & Chickie Williams and the Border Riders stand among the most popular regional country music acts of the period following World War II. With their base on WWVA’s “World’s Original Jamboree” supporting extensive touring north and east from Wheeling, they ranked as major stars in the northeastern USA, Ontario, and Atlantic Canada for 25 years after the release of their first records in 1947. Besides a fascinating first person account of their career and deep felt relationship with their fans, Looking Back also tells a love story about a couple who stuck together for more than sixty years, including 52 as a performing act, and their family. Barbara Smik, who put the book together from tapes dictated by Doc and the family’s rich archive of photos, is Doc and Chickie’s eldest daughter called “Peeper Williams” on their programs.

Although born Andy Smik in Cleveland, Ohio in 1914 to Slovak immigrant parents, like so many bluegrass musicians the future Doc Williams had a coal mining father and the expectation that he would do the same. The dawn of commercial radio when he was six changed everything. By age 19 he had started a career in music on a radio show hosted by Morey Amsterdam. In May of 1937 he reached WWVA with a band he calls “almost bluegrass” – fiddle, mandolin, rhythm guitar, and bass fiddle. The classic Doc Williams sound (“My music was not bluegrass and it was not modern country either.”) soon evolved into Doc’s guitar, his brother “Cy” on fiddle, and accordion, first played by the blind Marion Martin, along with a girl singer and bass player. In 1946, following the birth of their three girls, Chickie Williams temporarily filled in as the girl singer/bass player with her husband’s band. The “Girl with the Lullaby Voice” and movie star looks, she remained in that role until suffering a stroke in 1998, even recording a hit with “Beyond the Sunset.”

From road stories to playing fireman’s carnivals fascinating details about touring in the day abound. A 1951 date in Maine earned $369.90 in ticket sales from which $52.95 went to entertainment tax, $25 rent to the venue, and $31 to the promoter. The band sold 509 78s on the tour of Canada that followed to net $258 profit. Doc discusses frankly the pros (controlling the masters to keep everything in print into the 21st century and higher income) and cons (limited distribution, airplay, and promotional support) of operating one’s own recording label. He accepts that this and WWVA’s focus to the north and east kept them from the highest level of stardom. “It was a great time to be alive and doing live radio and concerts.”

The book’s unpretentious layout never gets in the way of compelling, albeit occasionally redundant, stories and fascinating illustrations. As editor, Ms. Smik places preserving her father’s voice ahead of imposing rigid order on his recollections. One paragraph jumps from a Tupelo fiddler named Billy Mitchell to General Billy Mitchell to the first time Doc saw Elvis in 1954. Thus while frustrating those who wish to read a chronological, or simply logical, account, Looking Back reads like a series of wonderful afternoons listening to an nonagenarian country music great ramble warmly through his adventures, share life lessons, and brag on his one true love. AM



8 thoughts on “Looking Back by Doc Williams

  1. Doc, Chickie, Peeper, Poochie & Punkin had a great deal to do with forming my personality as a teenager when I would travel to several towns to listen to their shows, sometimes days apart; Chandler Music Hall in Randolph, VT, Tunbridge, Fairlee, etc with my two farm buddies, Bill, Ray & I. Later on, my friend Harry and I drove to Maine to their “farewell” performance and spent the evening with them afterwards. Everyone fell in love with Doc & Chickie’s three daughters when they came to the microphone to sing, and they are not to be forgotten. I just learned about Doc’s passing, and being 77 years old, seeing so many of my heroes passing on leaves me with a sense of melancholy and sadness. Thank God for the Smiks and all they have done to keep family traditions alive in very difficult times. Daniel Boone, Vermont


  2. hi doc Williams daughters dan Watkins Shenandoah traveler I sing an strum guiter doc was an inspiration in my life in my early years fell in love with that voice of many emotional songs he sang on wwva use to tape on reel to reel tape as my schoolyears for very troublesome years for me because of bullying in school love to meet you girls


  3. I just bought an old Doc Williams poster for a show at The Youngsville Fair in Pennsylvania dated Friday August 19. The possibility of that day/date combo could be in the years 1949, 1955, 1960, 1966 or 1977. Any idea which year it might have been?

    Liked by 1 person

    • It’s been so long now since I reviewed the book, I’m not able to answer off the top of my head. If you could send me scan or photo off it, I may be more help. I’d be looking at how it was billed, phone number format, other acts.


  4. I was between 10 and 15 I think when Doc played at the Klingerstown Firemen’s Carnival in Klingerstown PA . He broke a guitar pick and threw it off the stage and picked it up. I remember it was brown or burgundy . Had it for years. Is there any way I can find out what year that was,?


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