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About Art Menius

About Art Menius Art Menius received both the B.A. (1977 with honors) and M.A. (1982) in history from the University of North Carolina at Chapel Hill. Following three and one-half years as an Interpretations Specialist for research at the North Carolina Department of Cultural Resources, Menius entered the music field as a writer and production assistant for the Nashville Network bluegrass and old-time music series, “Fire on the Mountain.” In September 1983 he began publishing reviews and features about roots music for publications ranging from Bluegrass Unlimited to the [Raleigh] News & Observer. Other adventures along the way have included editing and desktop publishing books for the Forest History Society, promoting a live performance bluegrass radio series on 117 commercial stations, emceeing and stage managing at dozens of music festivals in USA and Canada, and serving as a consultant on the acclaimed film, “High Lonesome.” During 1985 Menius helped create the International Bluegrass Music Association. Late that year he became the new trade association’s first executive director. Menius returned to IBMA’s Board of Directors for two terms running from 1998 through 2004. He served on the board of directors of the Old-Time Music Group, publishers of the Old-Time Herald, from 1991 thorough 1998, including six years as president. He currently serves on the board of directors of the Folk Alliance International. In 1990 the North American Folk Music & Dance Alliance elected Menius the President of its first board of directors. In April 1991 he became its first manager, serving in that capacity until June 1996. Following a period as an artistic representative, Menius became Associate Festival Coordinator for MerleFest, the enormous outdoor folk festival presented by Wilkes Community College in Wilkesboro, NC. Following a decade there, Menius served as Director of Appalshop, the acclaimed Appalachian media and arts center in Whitesburg, Kentucky from July 2007 until March 2010. On November 2, 2011, Menius completed his work as Director of Development for Common Ground on the Hill. From 2012 to 2014 he served as Executive Director of The ArtsCenter in Carrboro, NC before semi-retiring to freelance due to health issues.

Go Midwest, Young Hipster – NYTimes.com


http://mobile.nytimes.com/2016/10/23/opinion/campaign-stops/go-midwest-young-hipster.html?_r=1&referer=http://m.facebook.com/

Even as Hillary Clinton appears poised to win easily against a highly erratic candidate with a campaign in meltdown, a sobering reality awaits Democrats on Nov. 9. It seems likely that they will eke out at most a narrow majority in the Senate, but fail to pick up the 30 seats they need to reclaim the House. If they do manage to win a Senate majority, it will be exceedingly difficult to hold it past 2018, when 25 of the party’s seats must be defended, compared with eight Republican ones.

The Republican Party may seem in historic disarray, but it will most likely be able to continue to stymie the Democrats’ legislative agenda, perpetuating Washington’s gridlock for years to come.

It’s in the Best Interest of the Rich to Help Reverse Extreme Inequality | The Nation


https://www.thenation.com/article/its-in-the-best-interest-of-the-rich-to-help-reverse-extreme-inequality/

my first contribution to the Bitter Southerner


my first contribution to the Bitter Southerner Just an Old House — THE BITTER SOUTHERNER http://ow.ly/i2Oc305a0d7

Alynda Segarra’s Call to Folk Singers: Fall In Love With Justice (OP-ED) | The Bluegrass Situation


http://www.thebluegrasssituation.com/read/alynda-lee-segarras-call-folk-singers-fall-love-justice-op-ed

You must be willing to come to folk music understanding that your journey has not been the only journey that deserves to be shared, that your truth is not universal, that there are other stories not being told. You must understand that the history we have been taught is a selected history. You must simply bear witness, not to be a spokesperson, but to share what it is you have seen. You have a unique role as a travelling musician. You are a story teller. You have driven through the ghettos that some call home while some drive past with locked car doors. Share the humanity that has been elevated in you by the struggle that was once hidden and is now filling the streets. Help others understand what they may not understand. Help them open themselves to others’ experience. Help the listener realize that the media stereotypes they have ingested are not the absolute truth. Help them expand their consciousness. You have the power to spread the words of justice. Take an active role by helping amplify the voices of people who are doing such dangerous and important work. Help undo the racism we are taught. Help reinvent the future. We do not have to continue this way. But make room, because there are more voices who are coming to share the table.

My Latest Bluegrass Unlimited Feature


tom-isenhour-graphic

The October 2016 issue of Bluegrass Unlimited contains my latest feature with color photographs by Becky Johnson. It profiles the extraordinary music collector Tom Isenhour of Salisbury, NC.

https://artmenius.com/wp-content/uploads/2011/12/tom-isenhour-october-2016.pdf

 

Bluegrass musician David Holt is a mentor to others like Josh Goforth | News & Observer


http://www.newsobserver.com/entertainment/music-news-reviews/bluegrass-raleigh/article101894322.html

This Bluegrass Jam Has Banjos, Corny Jokes and a Side of Fries – WSJ


http://www.wsj.com/articles/this-bluegrass-jam-has-banjos-corny-jokes-and-a-side-of-fries-1466010162

NEA Selects New Director of Folk and Traditional Arts | NEA


http://arts.gov/news/2015/nea-selects-new-director-folk-and-traditional-arts

When I was in Maryland, Clifford Murphy truly impressed me as an excellent state folklorist and a delightful person. Congratulations on succeeding Barry Bergey.

America needs a public option for the internet


http://theweek.com/articles/647871/america-needs-public-option-internet

Of course, blazing fast internet service today doesn’t nearly match the importance of electricity in the late 1930s and early 1940s. Internet connectivity is, however, increasingly necessary to live a normal life — to participate in the culture, to stay in contact with friends and family, and especially to run any sort of business. And just like in Johnson’s day, rural America is being left out, because private industry prizes profits over breadth and quality of service.

NYTimes: The Magnificent 10: Restaurants That Changed How We Eat


In his navy suit and thin-rimmed glasses, Mr. Freedman, a professor of medieval history at Yale University, doesn’t look the part of a provocateur, either. But for his new book, “Ten Restaurants That Changed America” (Liveright), he set out on a brash mission: culling through hundreds of thousands of restaurants, across a span of two centuries, to produce a list of what he considers the ten most influential.

The Magnificent 10: Restaurants That Changed How We Eat http://nyti.ms/2cX16Lk