Blue Ridge Parkway


Blue Ridge Parkway.

Click on this link for a The Digital Blue Ridge Parkway, a media rich presentation of its history.

The Parkway certainly captivated me as a child from at least 1960 on. It is a miracle of engineering, with turns designed so that even the driver can enjoy the views, federal land winding in a strip through private property. Sadly, overgrown trees and bushes obscure many overlooks’ views, and the budget for upkeep of facilities is not what it should be.

The Blue Ridge Parkway remains, nonetheless, a delight in the twenty-first century. Becky and I took advantage of it when we lived just 18 miles away in Wilkes County. Years before we had spent our honeymoon near the Parkway in Floyd, VA. Another time we walked to the 6100 foot peak off the highest part in the Balsam Range in southwestern NC. We came to vast thicket of blackberry bushes, facilitated by the deforestation of the 1980s above 6000 feet, covered with gigantic, sweet berries.

‘Holiday’: The Godfather Of Hip-Hop’s Last Gift : NPR


‘Holiday’: The Godfather Of Hip-Hop’s Last Gift : NPR.

Growing up in the South, during both the Civil War Centennial and the Civil Rights Movement, I was more than ready to be seared by “The Revolution Will Not Be Televised” in high school. I am glad, therefore, that Gil Scott-Heron had this chance to say goodbye to us.

Appalachian History » Listen Here: Appalachian History Weekly podcast posts today


Appalachian History » Listen Here: Appalachian History Weekly podcast posts today.

Alison Krauss on Tavis and NY Times Arts & Leisure


To me this when paired with the Tavis Smiley appearance, Alison Krauss’ appearance on the NY Times Arts & Leisure Weekendlast night, forms a high point for our field in exposure to new markets.

 

Even though Tavis (being  radio guy) constantly looking at his tablet bothers me, I thought he had the more interesting questions as a whole than Dana.

 

On the other hand, the bunch of college girls who showed up together last night, totally blown away being able to ask the questions they had been working on for some time was the best moments from either. Especially powerful was the young African-American woman talking about loving AKUS music despite what her friends thought. Also the woman who said Alison had provided the soundtrack to her life.

 

This was elevation of Alison into the ranks of major American cultural figure, something Monroe could only partially achieve as his family did not at all prepare him and that Steve achieved independent of his banjo artistry and before he returned to professional-level playing.

 

Monroe could never have pulled off what Alison did with Dana and Tavis with his monosyllabic answers. She was charming, engaged, and interesting. And it looked to me like she out drew David Cross (“Arrested Development,” “Scary Movie Two”) who followed her.

 

These moments don’t happen for us every day.

C.F. Martin & Co. a guitar pickers’ paradise | Philadelphia Inquirer | 01/05/2012


C.F. Martin & Co. a guitar pickers’ paradise | Philadelphia Inquirer | 01/05/2012.

I haven’t made the pilgrimage to Nazareth in many years, but have had the pleasure of tours led by Chris Martin IV and the wonderful Mike Longworth. Of course, in Nazarethh, Martin’s Dick Boak established the Church of Art.

Alison Krauss is kicking off the New York Times Arts and Leisure Weekend


“Alison Krauss is kicking off the New York Times Arts and Leisure Weekend Thursday at 6:00 pm.  She will be interviewed by Dana Jennings.”

Here is a link to the whole weekend and how to get tickets.http://artsandleisureweekend.com/

For those not able to make the show, it will be streamed.  The streaming link is here:http://new.livestream.com/alw

By Art Menius, 1/5/2012

Adapted from a post on IBMA-L

This is pretty amazing, or rather, pretty far beyond amazing.

The NY Times, however faded its glory, is still the tastemaker for at least the most overpopulated island in America and a good chunk of the East Coast. It is one of the few national newspapers we have and its reputation is global.

Look at whom they have placed on the same pedestal as Alison: Kristin Wig from Saturday Night Live; Philip Glass, arguably the most acclaimed composer living today; superstar filmmaker Seth Rogan; Clive Davis, one of the most famous record company execs ever; Errol Morris, one of the top 5 documentary filmmakers ever; Julianna Margulies, Christine Baranski, and Josh Charles from CBS’ “The Good Wife” and more.

This is the most important newspaper in the country saying that our little Alison, whom I remember from the 1985 KFC band contest in Louisville, is one of the most important people in the creative arts in the world today.

Can I hear a ‘Nuff Said?

And that on top of appearing on the Tavis Smiley Show where she charmed another audience that may not have known her, even though she has had the greatest success with the black market of any bluegrass musician. Not to mention that Tavis is one of the foremost interviewers on radio or TV today with a fantastic public radio show too with my main man Cornell West where they actually talk about one issue for a whole half hour.

Of course, I predicted all that at the KFC contest. It is just everyone who can confirm that has since passed away.

 -30-

US album sales rise for first time since 2004 – Yahoo! News


US album sales rise for first time since 2004 – Yahoo! News.

Digital sales gains are, of course, “here to stay.” The factor not discussed here is net income rather than just unit sales. Even if everyone starts buying and streaming legally, the per unit margin – esp for indie artists who sell their own product – is smaller with digital. How can that gap be closed, if at all?

From the Roots Radio for January 7


I just finished recording three hours of roots music radio for “From the Roots” to air, Saturday, January 7, 2012, on WMMT-FM 88.7, real people’s radio from the Appalshop (91 Madison Ave; Whitesburg, KY 41858. It streams online live at www.wmmtfm.org  as well as on InTune Radio and Public Radio phone apps. I host “From the Roots” – remotely – on the first Saturday of each month as the Lazy Farm Boy from 11 AM until 2 PM eastern. I maintain a playlist blog for the show at lazyfarmboy.blogspot.com. Look for the playlist there on Saturday.

This week’s show is a 2011 retrospective, remembering those lost in roots music during 2011 such as Hazel Dickens, Wade Mainer, and Paul David Smith, and highlighting some of my favorite 2011 releases and reissues.

It’s Not My Mountain Anymore Book Review by Art Menius


I published this review on amazon.com on 12/30/2011. Barbara sells hard copies from her website, http://itsnotmymountainanymore.com/. The book is available from Amazon.com and to Amazon Prime Members. I am pushing my friend’s book because through Sunday, January 1, 2012  {sorry for the earlier error of Monday] Amazon is offering downloads of free Kindle ebook copies.

The link to the free Kindle ebook available through Monday, January 2, 2012 is:

http://www.amazon.com/Its-Not-Mountain-Anymore-ebook/dp/B006359KSY/ref=sr_1_2?ie=UTF8&qid=1325342510&sr=8-2

Barbara Taylor Woodall, It’s Not My Mountain Anymore (Sylva, NC: Catch the Spirit of Appalachia, 2011) pp. 192

review by Art Menius

Barbara Taylor Woodall, author of gripping the memoir, It’s Not My Mountain Anymore, tells the story of the last half of the 20th century in Appalachian Georgia from a fascinating personal perspective. She deals with five important themes:

1) old time mountain ways of life and stories
2) the Foxfire phenomenon from the perspective of a local student in the program and how it changed her life
3) the filming of Deliverance and how devastating it is to a community when outsiders control the narrative and tell the story from their perspective
4) adaptation and self-determination by starting one’s own business and making money off of the outsiders
5) how residential and tourism development in a southern Appalachian community can be just as destructive of community and lifestyle as mountaintop removal coal mining in Central Appalachia

All the growing up section is wonderful. Born in 1954, Woodall’s family in the remote mountains along the North Carolina – Georgia border still maintained a traditional Appalachian farm life and network of relatives. The main change in 100 years was that her dad had to work a day job plus his farm work and the kids had to attend school. I grew up in Raleigh, 300 miles to the east of her, surrounded by professors and politicians. During the summer, however, I spent much of the time at my old maid aunt’s farm, where she still lived as she had been raised around 1900. She did not get electricity or indoor plumbing until 1967 and never got a phone. Before that she didn’t even have a well but hauled water out of a spring house on the creek a good 1/8 mile away. Woodall’s account rings true, illuminated by a collection the her best family stories. If it stopped her, the book could be recommended to anyone who likes the Waltons or Harriet Simpson Arnow.

Perhaps even more powerful is the section on the impact of Foxfire on Taylor’s life. She went from a bored kid having no interest in school to a complete immersion in Foxfire that led to her being published in Seventeen Magazine. Foxfire, like Appalshop in Kentucky, was an experience in local youth discovering and examining their own communities and traditions as a path to self-discovery and self-empowerment. Outsiders began both in the late 1960s, but the institutions have survived their parting and many other obstacles for more than 40 years. The reader is left wondering why she didn’t continue to work there or as a journalist.

As her narrative progresses, I kept turning the pages, consuming the book in one afternoon. During the last quarter of the past century she describes the issues of drugs, extractive industries, and demands of making a living in a economically colonized area from a personal perspective.

The first 150 pages of It’s Not My Mountain Anymore fit in the very best tradition of southern mountain storytelling. Like all great tellers, Woodall explores dozens of forks and branches but always keeps a clear central storyline moving forward, connecting the specific to the universal. It was hard to put it down except when nature called, or I just got tired of the fat cat sitting on my arm. To be honest, I felt the last 40 pages meandered a bit in narrative thrust and structure in the way the wonderful first 150 do not. Still there was a lot of good stuff there about issues of vital importance to Appalachia today.

Joe Bussard talks John Fahey and Fonotone, the last 78 RPM label – Boing Boing


Joe Bussard talks John Fahey and Fonotone, the last 78 RPM label – Boing Boing.

Link to an recorded interview with Joe that includes info on late 1950s DC bluegrass scene